Daily Prompt: Polymathic Playlist

Hey, folks. Today’s Daily Prompt is all about music. Specifically, the kind of mix tape/playlist you’d make to introduce yourself to someone new. This one took a while to make, mainly because I was raised with a really eclectic music selection. I’ll just let the playlist do the talking. Happy listening! EDIT: For the sake of simplicity, I made a playlist on YouTube.

San Francisco Cherry Blossom Festival 2015

Hey, folks. If you’re into Japanese culture, festivals, or botany, chances are you’ve heard of the Hanami, more commonly known in the West as the annual Cherry Blossom Festival. Most associate it with the events in Washington DC or Macon, but San Francisco’s tradition has been going strong for almost five decades. I happened to be in the Bay Area this year – my travel months usually fall between April and May – so I decided to go for the first time. The festival lasted two weekends in a row, but that wasn’t enough time to do everything; I settled for going each Saturday and seeing what I could. The results were mixed, but it was an awesome experience overall.

WEEKEND 1

I hadn’t been to Japantown in a couple of years, so I’d forgotten how much of a walk it took to get up there. It’s certainly BART-able; I’m in decent shape, so the 1.5 mile trek (most of it uphill) was a nice warmup. The official website even recommends that you take the bus, but I wanted to save money and get some exercise in. However, it’s understandable why everyone just takes public transit; if you’re going to Japantown from the Financial District on foot, you have to go through the city’s dreaded Tenderloin. You’ll never see such a sudden and drastic change in atmosphere. Just a few blocks from the flashy lights and trendy stores of Union Square, there are boarded-up windows, seedy bars, crime, prostitution, and more homeless than you’ll see anywhere else in the city. Most depictions of San Francisco conveniently overlook this area. Pretty sure those red double-decker tour buses never drive on Turk Street, lest those high-paying visitors see something horrifying and tell their friends. I love wandering the city in my spare time, but I typically make a beeline onto Geary and call it a day. However, the Tenderloin is redeemed by its incredible art; it’s so easy to stumble across a gorgeous mural and varied architecture.

Japantown was another story entirely. I was used to seeing the place on weekday afternoons; a peaceful, quiet district that happened to house every geeky anime and video game thing I could want. But this time, the square surrounding the Peace Pagoda was crammed full of people. I don’t like crowds; they feel suffocating and draining to me. There were hundreds of people sitting in rows of chairs, or standing at the nearby railings, all eagerly anticipating the drum performance by the iconic Taiko Dojo. I couldn’t find a good place to see the show, so I decided to wander. What struck me wasn’t just the amount of people, but how many of them were cosplayers. I’ve never been to Comic Con or any major geek convention, let alone seen these dedicated and creative fans in person. For example, I immediately bumped into this familiar fellow:

That’s aside from Junior from RWBY, No-Face from Spirited Away, Mega Man, a mini Gundam, Ryuko Matoi from Kill la Kill, a couple Harry Potters, and at least three Soras (one even had a metal keyblade!)  from Kingdom Hearts. Not to mention all the people in their gothic and sweet lolita outfits; I think that fashion style rocks, and I wish I were confident/pretty enough to pull off the look. Or any cosplaying for that matter; I actually considered going as Vincent Volaju, but the weather was too warm for a trench coat. I also didn’t to come off as one of those creepy guys that stalks and takes pictures of these coplayers at conventions, so I kept my photography to objects and performances. It was probably to my detriment, though; I was surrounded by literally thousands of other geeks, but I didn’t actually talk with anyone. I thought I’d gotten a handle on this whole introversion thing. Sigh. There’s always next year…

I spent most of the time exploring some old haunts at the indoor Japantown Center.  If you’re a local and don’t like buying your anime/gaming memorabilia online, chances are you’ll find your products here here. Japantown Collectibles has a decent selection of models (though Ying’s Hobbies in Chinatown has a vastly superior Gundam selection), as well as several Play Arts Kai and other statues. Japan Video & Media is essentially a one-stop shop for anime DVDs, as well as decent variety of plushies, posters, and other memorabilia. That also apparently includes body pillows (?!) printed with famous characters; I’m pretty sure I’ve mentioned having a childhood crush on Sailor Mars, but nowhere near the point of cuddling up to a picture of her! There’s also the Kinokuniya Bookstore, which has an absolutely massive selection of Japanese texts, both translated or otherwise. The lower floor is dedicated to manga and gaming; while the average Barnes & Noble stocks a shelf or two of manga at most, this was practically an entire store’s worth of comics! Their art book selection is impressive as well. I was sorely tempted to pick up UDON’s Street Fighter and Bayonetta works, but I kept my temptation in check. These places are a wonderland for collectors and hardcore fans…but they don’t come cheap. Anime products released stateside – DVDs in particular – suffer from serious price gouging. After making a mental wishlist, I left the stores without regret.

Instead, I focused on the artist’s alley. It wasn’t huge; there were a dozen booths spread out near the shopping center’s main staircase. These folks know their clientele; everyone was selling some kind of print, pin, or bead sprite depicting characters from popular series. Stuff from Super Mario Bros., The Legend of Zelda, Metroid, Pokemon, Dragon Ball Z, Metal Gear Solid, Sailor Moon, Persona 4, Batman, Guardians of the Galaxy…the characters go on and on and on. I looked at each table three times before settling on a signed print of this Okami work by Wenqing Yan, famously known as yuumei on DeviantArt. I’ve been a fan of her work for years, but I never thought I’d ever see her in person. On the way out, I stopped by Katachi and bought a nice, sturdy machete. I’d been meaning to replace my old one for months, so I didn’t want to pass on the opportunity. The 25” blade was too large to fit in my backpack – the hilt was stick out of the back – but thankfully no one on BART noticed.

I spent the rest of the afternoon exploring the booths outdoors. There were plenty of other local artists (The Bamboo Whisperer is still my favorite!) but I focused on the food. There was a small – but quite successful – vendor selling freshly cooked Japanese cuisine. It was a selection of edamame, takoyaki, and karaage. I’m not a foodie by any means, but their karaage was easily the most delicious thing I’ve had this year. I’m actually tempted to look up some recipes. The most popular food seller, however, was the Hello Kitty Cafe Truck. Seriously, that’s a real thing. They were selling a small assortment of boxed desserts, including donuts, mini cakes and, macarons, as well as bottled lemonade and t-shirts. The line for this smorgasbord of sugary adorableness stretched down – and through – most of the street. There were at least a couple hundred people in front of me; after 20 minutes and only a few feet, I gave up. I managed to score a free box of Pocky from another truck, so it wasn’t a total loss.

After enjoying a performance by the Nihon Buyo Kiyonomoto and picking up some commemorative stamps for my grandmother, I made the mistake of leaving early. I did not want to walk back to BART at night. Also, I somehow missed the post that showed the full schedule of events; I didn’t know that I was missing out on kendama and ikebana demonstrations, the cosplay chess tournament, and tea ceremonies. After realizing my mistake later on, I was determined to return and see more.

WEEKEND 2

Armed with a schedule and a map, I returned to Japantown on the 18th. I stopped long enough to watch another Taiko Drum performance, but kept walking. I skipped all the stores I’d visited previously – though I did pick up two boxes of Harajuku Mochi Chocolates at Nippon-Ya – and made a beeline for the Bonsai and Suiseki Exhibit at Issei Memorial Hall. There were at least a couple dozen entries from the Marin Bonsai Club, the Yamato Bonsai Kai, and a few other groups. I did at least five laps around that room, taking as many shots of those amazing plants as I could. Growing a bonsai requires patience and dedication, so I was stunned by the 60-year old Chinese Elm on display. The exhibit deserved far more attention; I’m glad to be one of the relative few to enjoy it.

Afterwards, I headed upstairs just in time to catch the Iaido demonstration by the Nishi Kaigen Iaido Dojo. I’ve played enough video games to recognize the martial art on sight, but it’s so much cooler in person. An average person might be able to awkwardly swing a sword, but these practitioners were unbelievably smooth and precise. It was going well until one of the performers tore his foot on a staple in the stage’s carpet. I was standing off to the side, so I got a glimpse of the bloody injury before the man was carted off by the EMTs. In order to save face, the remaining iaidoka had the audience push the chairs back, then continued the show in front of the stage. They were followed by the Azama Honryu Seifu Ishisenkai USA and Kinuko Mototake Dance Academy, a troupe that specializes in traditional dances from Okinawa. Their performances were slow and relaxing – an older fellow sitting next to me kept falling asleep – but quite elegant. I’ll have a few more videos for them up soon. On the way out, I stopped by the Washi Ningyo table at the back. There were several detailed paper dolls (including a miniature taru mikoshi!) on display. The owner invited me to an upcoming workshop, but I haven’t decided to go yet.

On the way out of the building, I stumbled across a shodo (aka Japanese calligraphy) demonstration. I’ve never studied it, so it was fascinating to watch this group of elderly folk make beautiful art from just ink and paper. The placement of the characters, the shading, the coordination involved…it was so good. And to think, this is initially taught as a mandatory elementary school subject. Do we even teach cursive to American grade-schoolers anymore?! Once the show was over, the calligraphers gave out personalized trinkets to the kids. I sheepishly asked for my name on a fan, which is now proudly displayed on my desk. Coincidentally, I came across another shodo desk when I went back through Osaka Way. Not only did they give me a second personalized fan, but a mini wall scroll with “Knowledge” painted on it. I also stopped by Forest Books; it doesn’t have Kinokuniya’s huge selection, but focuses more on Asian culture, history, and politics. Definitely worth visiting if you’re looking for more obscure texts.

With the day winding down, I had one more objective: the Hello Kitty Cafe Truck. This was my last chance to pick up some desserts for my relatives, and I didn’t want to come back empty-handed. The line wasn’t so bad this time; about 20 minutes later, I walked away with a box of donuts, five macarons, and a cute little tote bag. Yes, I truly earned the swagging rights. I also stumbled across the real mikoshi on my way out; unlike the doll version, this one was decked up out intricate patterns and golden trimmings. A few kimono-clad women were offering people some free sake, but they ran out by the time I walked over. I don’t drink – sparkling cider is the strongest beverage I’ve tried – but it would’ve been an interesting experience. On my way out of the Peace Plaza, I stopped to watch the UC Berkeley Yosakoi Group perform their dances. Such a strong, awesome show was the perfect way to finish my day.

As I walked back down Geary and onto BART, I thought about what I’d seen over the last two Saturdays. The Cherry Blossom Festival is an interesting blend of both old and new; the younger folks enjoying their modern forms of art, while still appreciating the traditions of their predecessors. With all the manga, anime, and games permeating Japanese pop culture, it’s so easy to overlook how they were influenced and inspired by the creativity of the older generations. Not everyone cares about the humanities, but judging by the turnout, they’re won’t be forgotten any time soon. Hopefully next year’s festivities will be even better!

Oh, and one last thing. In a bit of irony, I didn’t see any cherry blossoms at the festival. Due to the stormy weather we had a couple of weeks back, all of the usually gorgeous trees were completely bare. There were more cherry blossoms in my front yard, for crying out loud! There’s always next year…

Cowboy Bebop – Tank! On Eight Floppy Drives

The intro for the one best anime ever just went old school. For comparison, here’s the original jazz version. If you want to get into anime, Cowboy Bebop should be at the very top of your to-watch list. Just saying.

Awesome and Geeky Narrations

Hey, folks. Today’s Daily Prompt is all about voice acting. Specifically, the voice actor you’d choose to narrate your blog posts. This is kind of interesting; despite how I come across in my writing, I’m actually very soft-spoken in real life. I’m good with the one-on-one talks, but put me in a room full of people…Yeah, I’d rather be typing, not speaking. I’ve actually tried launching a Let’s Play/Twitch stream channel, only to discover that my voice is way, way too quiet even on a microphone. Maybe I need voice coaching or something. As for who I wish my blog’s narrator could be:

Morgan Freeman. There’s something about his voice that is so frank, down-to-Earth, and easy to listen to. He was brilliant in The Shawshank Redemption. I wish I could speak as smoothly as him.

Kevin Spacey. Have you ever heard him narrate? Go watch The Usual Suspects sometime. He could make reading numbers out of a telephone book interesting.

Richard Attenborough. While it’s sadly too late for this one to ever happen, there was always something grand and compelling about the way he spoke.

Johnny Yong Bosch. One of the go-to guys for the lead characters of localized anime and games. It’d be easier to list the shows he isn’t on. If I had to choose a specific character for him to use, it’d probably be Yu Narukami of Persona 4.

Crispin Freeman. Similar to the previous entry, his work in localized anime and games is incredible. His narration as Kyon in The Melancholy of Haruhi Suzumiya is still one of my all-time favorites.

Steve Blum. His voice acting work is the stuff of legends, and he holds the world record for the amount of game voice acting credits. Having Spike Spiegel from Cowboy Bebop narrate my posts would be amazing, but Jamie from Megas XLR would be strangely hilarious.

Mel Blanc. The called him “The Man of a Thousand Voices” for a reason. He was absolutely brilliant; his acting in the Looney Tunes cartoons were a huge part of my childhood. I’m already grinning at the idea of Porky or Daffy reading my posts.

I could go on for hours listing awesome potential narrators, but I’d better stop now. How about you? Who would you want to narrate your personal thoughts and writings?

Zero To Hero Day 21: Building Upon A Post

Hey, folks. Day 21’s assignment was all about building upon and/or explaining the post from Day 19. I chose to use quotes because…well, I’ve tried pretty much all the other formats. Rather than sticking with a specific quote, I chose a group of them that not only reflected my thoughts on this blog, but arranged them in a way that would form something resembling narrative. I’ll just give them a brief run-down:

  • Jorge Luis Borges blew my mind when I first read his work, and the quote I used seemed to capture the feeling all too well. Causality is fascinating, be it in a philosophical or religious context. Borges wasn’t sure about what his storytelling was going to do, only that there were stories. It’s the same thing when I post something here; I find it cool and interesting, but I can’t account for others’ biases or beliefs. All I can do is tell it the way I can, and hope it’s good enough.
  • The dedication page for House of Leaves always stood out for me. That book is several mind-screws all bundled up into one, and “This is not for you” is just one of the earliest ways it messes with your expectations. I want to do the same with my blog; I want to get you to wonder, to think. And much like that quote, I don’t just blog for everyone else; I blog for myself, too.
  • The third quote comes from my favorite fighting game ever. If you want a great example of video game role models, Ryu would probably be high on the list. He doesn’t just want to fight for the sake of violence; he wants to experience and learn new things. His quote is kind of my unofficial mantra.
  • The fourth one is that infamous reveal from The Shining. It serves as a counter to the previous quote; if you spend so much time focusing on objectives and improvement, you can lose sight of who you are, and the life around you. There has to be a balance somewhere, and it’s good to have a reminder of that. On an unrelated note, The Shining is one of my all-time favorite movies.
  • Solid Snake’s rant is the capstone to the infamously mind-screwy Metal Gear Solid 2 ending. The entire game is essentially one long lesson on postmodernism, and this little speech is probably the most straightforward moment you’ll ever get. Snake basically argues that we as individuals are more than just producers of the next generation. We can show them – and each other – what is important to us. We are survived by what we pass on. That’s a sentiment I want my blog to reflect.
  • Blood Meridian is one of my favorite novels. Not because of the setting or the brutality – Judge Holden is such an amazing character – but how the story is told. The imagery is so vivid, and…I better stop now before I start ranting. The quote I used reinforces my curiosity; I want to be the one who pulls the tapestry and takes life on his own terms. And I want you to try, too; you can’t fully live if you don’t ask questions.
  • Moving The River by Prefab Sprout is one of many, many one-hit wonders I have on my playlist. I prefer the acoustic to the regular version, though. It’s about a guy who’s disappointed with life, and must comes to terms with his parents – and his own – expectations. I’m very much the same. As the title implies, living takes Herculean strength; the song even ends with “but it takes such an effort/to stay where I am…” The lyrics I chose reflect my doubt over the subject matter I choose to post. A few of my interests and hobbies aren’t exactly…mainstream, and I worry about alienation and abandonment over them.
  • …Like depression, for example. Out Of My Head is a late 90’s hit about personal reflection, regret, and doubt. Despite its simplicity, the song manages to be tear-jerking and introspective. I quoted it to reflect my issues with depression (and mental health in general) and how it’s one of those taboo subjects. How are we as a society supposed to combat such illnesses if we don’t talk about them?
  • The next quote is just a continuation of same idea. It’s worth noting that Gotta Knock A Little Harder is all about someone overcoming their fears and doubts, even if they have to bust through their own emotional barriers to do it. I’m working on that part. This song is part of Cowboy Bebop’s tremendous soundtrack, and I highly recommend that you give it all a listen sometime.
  • Stardust Melody is an old, amazing song. It’s not about love, but idealizing love. After time and lives have past, all you have are the memories. I worry about that; maybe I’m doing this all in vain, but I still do it. It’s an incredibly lonely, but peaceful song. I listen to it sometimes before going to bed. I wanted to link to my favorite version – Mel Torme with just a piano – but I couldn’t find a video for it.
  • The Late Lament is a poem that comes after the ending of the Moody Blues’ Nights In White Satin. It depicts a somber, lonely evening in which people settle in for the night. The part at the end struck me because of its defiant tone. Despite all the sadness and doubt, we are the ones who decide how to live. It’s a reminder to never give up.
  • The last quote is actually a quote of a quote. “You’re gonna carry that weight” comes from the Beatles song, but the line is also featured at the final screen of Cowboy Bebop. There’s a very good reason why it shows up, and I’m not going to spoil it for you. Basically, you have to live with the decisions and actions you take. Be it guilt, sadness, desire, pleasure…you carry those moments and memories around for the rest of your life. I want my blog to not only share such things, but to help me going into the future.

Zero To Hero Day 19: And Now For Something Completely Different

Quote

I have no way of knowing whether the events that I am about to narrate are effects or causes. – Jorge Luis Borges, Collected Fictions

This is not for you. – Mark Z. Danielewski, House of Leaves

Every moment gives us a chance to become more than what we are. – Ryu, Street Fighter III: Third Strike

All work and no play makes Jack a dull boy. – Jack Torrance, The Shining

Life isn’t just about passing on your genes. We can leave behind much more than just DNA. Through speech, music, literature and movies…what we’ve seen, heard, felt…anger, joy and sorrow…these are the things I will pass on. That’s what I live for. We need to pass the torch, and let our children read our messy and sad history by its light.We have all the magic of the digital age to do that with. The human race will probably come to an end some time, and new species may rule over this planet. Earth may not be forever, but we still have the responsibility to leave what traces of life we can. Building the future and keeping the past alive are one and the same thing. – Solid Snake, Metal Gear Solid 2: Sons Of Liberty

The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate. – Cormac McCarthy, Blood Meridian

And do you think that they’ll like me
When they learn what I do? – Prefab Sprout, Moving The River

If you’re sad, then it’s time you spoke up too. – Fastball, Out Of My Head

Happiness is just a word to me, and it might have meant a thing or two if I’d known the difference. The Seatbelts, Gotta Knock A Little Harder

Though I dream in vain, in my heart it always will remain
My stardust melody, the memory of love’s refrain – Stardust Melody

Cold hearted orb that rules the night,
Removes the colours from our sight.
Red is grey and yellow white.
But we decide which is right.
And which is an illusion. – Moody Blues, Nights In White Satin/Late Lament

You’re gonna carry that weight. – Cowboy Bebop

Daily Prompt: Playtime, Or: Work Hard, Play Hard!

Hey, folks. Today’s Daily Prompt is about playtime. I’m going to assume that this refers to when I’m at home, and not traveling abroad. This one’s actually kind of tricky for me because I tend to combine play and work. I’ve mentioned before that I’m a prolific amateur game reviewer. Video games have been a part of my life from the start; I learned how to play Yars’ Revenge and Kaboom! before I could run. I didn’t have many games growing up, but I started building a collection once I entered college. Between all the on-disc anthologies, ports, and stuff I’ve acquired from publishers or acquaintances, my library includes somewhere around 800 titles. Over the years my tastes have refined; I look at everything I play with a critical eye, and it’s certainly not limited to just 7-9/10. The company or gaming platform is irrelevant. The only thing that matters is if it works, and how well. I also don’t play into the politics that a lot of mainstream review sites have succumbed. Getting free swag and advertising is nice, but that has no impact on the game itself. A good product should be able to stand on its own.

Also, I always actually play the game I’m reviewing. Some reviewers play only a few hours before making their decision, which means that any important storyline twists or gameplay developments (I’m looking at you, Mass Effect 3 and God Hand!) are overlooked. A lot of reviewers are pressured into covering games as quickly as possible; I recall one holiday season in which five AAA titles (each of which was at least 20 hours long) showed up on my doorstep in a week. How is a person supposed to deal with that kind of workload in a timely manner without sacrificing quality? What’s worse, some game studios use such biased review scores as way to determine the bonuses – and livelihoods – of its designers. Review scores are not objective, so basing an entire studio on them is impractical, if not dangerous.

No wonder the game journalism world is such a mess.

Wow, rereading that was pretty depressing. For a second there, I wondered why I even bother reviewing. It’s because I don’t have to deal with the same kind of pressure as the mainstream guys. I’m not getting advertising, the swag is relatively limited, I can cover more obscure stuff, and I’m not constrained by time. That way I can approach the game at a better pace, figure things out, and come up with something that isn’t a rushed, overgeneralized excuse of a review. I don’t think it’s possible to fully quantify an experience with just a numerical score. Instead of focusing on the #/10, I focus on purely persuasive writing. That’s what reviews are, after all. If I can argue my perspective well, then a number tacked on at the end isn’t needed. I’ve conveyed my idea, and it’s up to the reader to use his/her own reasoning to agree or not. I’d like to think people have enough rational thought not to be swayed by just a number, even I am disappointed constantly.

Enough about reviews. I can go into that later. When I’m not reviewing a game, there are a few old standbys that I always fall back upon. I love puzzles, so the Professor Layton series is always a pleasant distraction. I’m practically obsessed with any game that uses nonograms as well. I fell in love with Persona 4 partly due to its adherence (and accuracy) to Jungian psychology. I start up a new game of Symphony of the Night just so I can explore the castle – which is still one of the greatest works of art in gaming history – and try to find some little detail I missed the last time. Chances are, I will. Not to mention its amazing soundtrack, which I will be posting here all too soon. While Metal Gear Solid 3 is a superior game from nearly every standpoint, I have a soft spot for MGS2 and its use of postmodernism. You could teach a course on postmodernism with that game. However, the top spot on my most-replayed list is Street Fighter III: Third Strike. I’ve been playing it frequently since its online release in 2011, so much so that I’m currently the 8th ranked Chun-Li on PSN. Seriously, look me up.

Gaming aside, I usually read and/or study. I spent this summer reading through Haruki Murakami’s bibliography. I’ve been making a lot of headway with the works of Umberto Eco, David Foster Wallace, Alice Munro, Roberto Bolaño, H.P. Lovecraft, Cormac McCarthy, and Gabriel García Márquez. I also acquired all three volumes of The Graphic Canon, which is absolutely stunning in its range and style. I’m also a fan of the annual Best American Series, particularly its short story volumes. There are far, far more examples I could post, but I’d be typing this entry all night. I’ll post a full list of my list here soon (pretty sure it’s around 600 physical books by now), but I’m open to any suggestions. That goes both ways, too; given my obsession with books and criticism, my foray into literary reviews is inevitable.

When I’m not reading, I’m typically watching movies or anime. I’ll say this right off: if you want to get someone interested in anime, have them watch Cowboy Bebop. This was my generation’s introduction to the genre, and what an introduction it was. Interstellar bounty hunters, film noir, crime drama, science fiction, mystery, action, comedy, clever writing, superb voice acting…this has it all. Even if you don’t watch it, listen to the soundtrack by the legendary Yoko Kanno. Trust me. If you like something a bit more subtle in its surreality, check out Haruhi Suzumiya. A brash and self-centered high school girl wishes her life was full of adventure. What she doesn’t know is that she can warp reality, and that her friends are aliens, time travelers, and espers. What happens when someone has the power to rewrite the universe and doesn’t know it? Things get…interesting. Same goes for Death Note, which focuses on a villainous protagonist that gains the power to kill anyone with a few pen strokes, and the famous (but eccentric) detective determined to catch him. I’ve also made a point of finding Hayao Miyazaki’s films, and I’ve yet to be disappointed. On the 3D side of films, I’ve got a huge soft spot for The Shining, so much so that I can quote pretty much any scene verbatim. Same goes with Jurassic Park, The Silence of the Lambs, Apollo 13, The Thing, and 2001: A Space Odyssey.

When I’m not doing all that…well, I’m trying to learn how to draw using an digital tablet. It’s really hard, because I’m much more used to brushes and paints.  I wish I was good enough of an artist to make my own web comic, like El Goonish Shive. Or even a graphic novel adaptation, like Don Quixote. I don’t have the screen presence to become the next Nostalgia Critic, but I can snark Rifftrax-style with the best of them. Nor do I have the voice (and amount of friends) needed to copy Two Best Friends Play. Oh, and you may have noticed I have a thing for LEGOs

What do you do for fun?