Street Fighter III: 3rd Strike is a serious contender for my favorite game of all time. I could spend hours waxing poetic about its incredible design. How fun it was despite the relatively small roster. How unappreciated it was in its time, simply because of its ridiculously steep learning curve. How its intricate and technical combat mechanics set new standards for the fighting genre. How its complex parrying and combo systems unapologetically demanded memorization down to individual animation frames. How the graphics were some of the finest 2D sprites in the 90s. How high-level play is insanely difficult but extremely entertaining, even almost two decades later. How it’s one of the few games that I’m still willing to play anywhere, anytime.
Yeah, I love3rd Strike.
What many folks remember it for most, however, is the soundtrack. The playlist borrowed from and blended several genres, most notably jazz, rap, techno, and instrumentals. It was a risky departure from the simpler, traditional game music themes (which Street Fighter II helped establish), but the decision paid off in spades. Jazzy NYC ’99 is arguably the most famous track, for obvious reasons. Its catchy beat goes perfectly with the bustling, gritty city subway in which its stage is located. Even after all these years, any old school fighting game fan will recognize it instantly. That’s a testament to this game’s quality.
If you want more 3rd Strike, you can find the full OST here.
Much like its predecessors, Street Fighter III went through multiple iterations over the years. New characters were added and rebalanced, and gameplay mechanics were tweaked to be more complex and technically challenging. It’s understandable why it the game ended up with three versions; at the time, the folks at Capcom believed this was going to be the final Street Fighter game. If you’re going to send off one of the greatest and most influential gaming franchises in existence, you want to go out on a high note. They pulled it off, too; 15 years later, Third Strike is still regarded as arguably the best 2D fighting game ever crafted.
However, many gamers tend to forget the previous versions – New Generation and 2nd Impact – even existed. The latter not only introduced more strategic options to the series, but had an excellent jazz, techno, rap, and drum and base soundtrack. The “Nile” theme encompasses what makes the final showdown with Gill so awesome: a calculating, tense feeling hiding beneath a serene and beautiful surface.
If you want more 2nd Impact, you can find the full OST here.