Soundtrack Saturdays: Katamari Damacy – Que Sera Sera

You may not have noticed, but my YouTube account was terminated a few days ago. I could talk about how annoying and frustrating it is to lose something that I’ve had for years, all due to the site’s inconsistent copyright notice system, but I’ll spare you. It’s fine, really. I’ve restarted from scratch and am currently getting my travel videos reuploaded. I didn’t lost anything important…aside from my favorites list.

Having to redo my favorites list has actually been a blessing in disguise; it’s made me revisit videos and songs that I haven’t heard in ages, like the Katamari Damacy soundtracks. If you’ve followed the blog for a while, you know why I love the Katamari series: A bizarre, hilarious premise involving physics and mythology, accompanied by an eclectic blend of rock, jazz, pop, electronica, mambo, gospel, and pretty much every other musical genre you could possibly think of. “Que Sera Sera” was one of those great standouts in the original game; no one expected chill English lounge music in such a wonderfully strange Japanese game.

If you want more Katamari Damacy, you can listen to the OST here.

Good gaming, good music.

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Soundtrack Saturdays: Hyrule Warriors – Solidus Cave

As you might’ve noticed, I’ve been playing a lot of Hyrule Warriors Legends since it came out last month. By no means is it a perfect game – I’ve covered it in my recent review – but the music undeniably awesome. I never expected that an official Zelda game would feature rock remixes of its iconic music; its themes have generally gravitated toward classical and instrumental works. However, these versions fit perfectly with the game’s style. When you’re outnumbered a thousand to one in an battle against evil and still winning, you’d want to accompanied with some epic music.

If you want more Hyrule Warriors, you can find the full OST here.

Good gaming, good music.

Soundtrack Saturdays: Pokemon Stadium Theme (SSBM Version)

Hey, did you know Pokemon turned 20 this week? Yeah, I was surprised, too. I remember when the series first came to America. I was in that perfect target demographic sweet spot; I had a Game Boy, watched weekday afternoon cartoons (Pokemon was technically my first anime, as Toonami hadn’t premiered yet), and still had the time to dedicate hours to catching ’em all. I can still recite the original PokeRap. I don’t think I need to elaborate on Nintendo’s brilliant marketing campaign; the fact that the series has survived this long – with two brand new games coming out this Christmas – speaks for itself. Nintendo definitely knew they were onto something by 2001, when they included this song in Super Smash Bros. Melee. A fully-orchestrated remix of the anime’s title theme, complete with an utterly epic choir? Yeah, that’ll blow any fan’s mind the first time they hear it. While I don’t play Pokemon anymore (an exercise in futility if there ever was one), I still remember the original games fondly.

If you want more SSBM, you can find the full OST here.

Good gaming, good music.

Soundtrack Saturdays: Street Fighter III: 3rd Strike – Jazzy NYC ’99

Street Fighter III: 3rd Strike is a serious contender for my favorite game of all time. I could spend hours waxing poetic about its incredible design. How fun it was despite the relatively small roster. How unappreciated it was in its time, simply because of its ridiculously steep learning curve. How its intricate and technical combat mechanics set new standards for the fighting genre. How its complex parrying and combo systems unapologetically demanded memorization down to individual animation frames. How the graphics were some of the finest 2D sprites in the 90s. How high-level play is insanely difficult but extremely entertaining, even almost two decades later. How it’s one of the few games that I’m still willing to play anywhere, anytime.

Yeah, I love 3rd Strike.

What many folks remember it for most, however, is the soundtrack. The playlist borrowed from and blended several genres, most notably jazz, rap, techno, and instrumentals. It was a risky departure from the simpler, traditional game music themes (which Street Fighter II helped establish), but the decision paid off in spades. Jazzy NYC ’99 is arguably the most famous track, for obvious reasons. Its catchy beat goes perfectly with the bustling, gritty city subway in which its stage is located. Even after all these years, any old school fighting game fan will recognize it instantly. That’s a testament to this game’s quality.

If you want more 3rd Strike, you can find the full OST here.

Good gaming, good music.

Soundtrack Saturdays: SMT: Digital Devil Saga 2 – Divine Entity

Despite its popular original Japanese release in 1987, the Megami Tensei series has only become mainstream in the West within the last decade. And man, were we missing out. The games are all about following your beliefs; do you prefer order, chaos, or something in between? The future of humanity itself hangs in the balance. Your ability to recruit, summon, and control demons and other mythological beings figure largely in your strategy…as well as whatever overarching cosmic plan the gods have in store. Most of the games are notorious for their difficulty in comparison to others in the same genre. The steep learning curve, unforgiving complexity, and sheer length aren’t for everyone. But if you enjoy well-written stories with ambiguous moralities, challenging gameplay, and tons of mythological references, be sure to give it a look. You might want to start where the majority of gamers did: Persona 3 and Persona 4. These spin-offs are not as brutal as the main series, but have wonderful writing, excellent characters, and are themed around Jungian and Nietzschean concepts. Or if you want to wait until later this year, Persona 5 will be coming stateside.

In the meantime, you can listen to more of the DDS2 soundtrack here.

Good gaming, good music.

Soundtrack Saturdays: Undertale – Megalovania

Undertale has recently taken the gaming world by storm. For good reason, too; while it pays homage to classic 2D RPGs, it delights in taking all of the genre’s common themes and cliches and turning them upside down in witty, hilarious, and sometimes terrifying ways. Maybe you don’t have to kill every monster you come across. Maybe they’re not as horrible and dangerous as they seem. They could be your friends, if you give them the chance. After all, what kind of hero goes on a quest just for the sake of slaying enemies? What do they get out of it? Money? Power from leveling up? Do they even care what they’re doing? What happens when there’s nothing left to kill?

Yeah, it’s interesting.

This theme, “Megalovania,” is actually a remix of an older song. Toby Fox, the creator of Undertale, previously featured it on his Halloween-themed Earthbound ROM hack, as well as Homestuck. It’s also a reference to “Megalomania,” the boss theme from Live-A-Live. As for this game, the song is reserved for the finale of the optional Genocide Route; going by that kind of name, you can imagine what that kind of playthrough requires. No spoilers for the final boss, but let’s just say you’re gonna have a bad time. If you like the song, check out the various versions, or the remixes like the Dual Mix, the Triple-Layered track or the Mega Man X cover.

If you want more Undertale, you can find the full OST here.

Good gaming, good music.

Soundtrack Saturdays: Metal Gear Solid V – Sins of the Father

I’m pretty sure I’ve mentioned the sheer awesomeness the Metal Gear Solid series before. It revolutionized gaming as a medium; it made storytelling an essential aspect of how people play, resulting in games that felt more like blockbuster movies. Thanks to the technological developments and a popular following, the series has escalated with each passing entry. It’s not just about the incredibly detailed graphics, but the memorable characters, setting, theming, voice acting, and (of course) music. Sung by Donna Burke, Sins of the Father is the main song of the recently-released Metal Gear Solid V. It’s a reflection of the game’s theming: loss and pain, and to what lengths someone will go for the sake of revenge. It’s not a happy song, but it’s appropriately epic for a story about the world’s greatest hero becoming its worst villain. For better or worse, a legend is about to ride again.

If you want more MGSV, the full soundtrack can be found here and here.

Soundtrack Saturdays: Professor Layton and the Last Specter Theme (Live)

I love the Professor Layton series. It’s the closest Nintendo – or any major video game company, for that matter – will get to making a Sherlock Holmes-style character. He’s highly intelligent, polite, and solves mysteries of ridiculous proportions. It would’ve worked well enough as a visual novel, but letting you solve hundreds of puzzles along the way makes it so much better. The series is also well known for its extensive continuity and well-written characters; The Last Specter is the fourth installment out of six (seven if you count the Phoenix Wright crossover), but it’s the first chronologically. It’s also famous for its various soundtracks, which are among the best you’ll ever hear on a Nintendo console. While the theme of the Diabolical Box will always be my favorite, this live version of the Last Specter is great for some easy listening.

Good gaming, good music.

Soundtrack Saturdays: Marvel VS Capcom 2 – Swamp Theme

Anyone remotely interested in fighting games circa 2000 will remember Marvel VS Capcom 2. It boasted 56 playable characters from not only Street Fighter, Mega Man and other famous Capcom games, but all your favorite Marvel comic book characters as well. The result? Dazzling visuals and ridiculously fun competitions. The game’s eclectic jazz and electronic soundtrack was equally amazing, but it’s been unfortunately removed in subsequent ports. Longtime fans and arcade connoisseurs ought to remember this tune well. Swing your body!

You can find the full OST here.

Good gaming, good music.

Soundtrack Saturdays: Metal Gear Solid 2: Sons Of Liberty Theme

When it was released, Metal Gear Solid 2: Sons Of Liberty was the one of the most anticipated sequels in gaming history. What no one anticipated was how much of a mind-screw it would be. MGS2 has become a modern classic, in terms of both postmodern storytelling and gameplay mechanics. It was bigger and better than its predecessor in pretty much every way, and its soundtrack was no exception. If you’re into movies, this composition will sound familiar; most of MGS2’s music was arranged by none other than Harry Gregson-Williams, part of Hans Zimmer’s award-winning Hollywood studio. This particular version was done by the London Philharmonic Orchestra.

If you want more MGS2 goodness, you can find the full soundtrack here.

Good gaming, good music.